Performing Arts

Handel and Haydn Society Returns to New York With Grandeur of Monteverdi

Handel and Haydn Society. (Chris Lee)
Handel and Haydn Society. (Chris Lee)

At the turn of the 17th century, the great composer Claudio Monteverdi was stuck in Mantua, Italy, writing for the court of the duke and...

  • (L–R) Tasha Lawrence, Larry Bryggman, Jeremy Shamos, Seth Steinberg, Gary Wilmes, Maria Dizzia play an extended family in “If I Forget.” (Joan Marcus)

    Theater Review: ‘If I Forget’

    NEW YORK—Steven Levenson’s new play, “If I Forget,” displays a passionate family life, with its varied tugs and pulls of affection, conflict, success, failure, and... Read more

  • Sweeney Todd OFF-BROADWAYDRAMA BARROW STREET THEATRE 27 BARROW STREET SYNOPSIS: A barber who was unjustly imprisoned for years by a corrupt judge returns to England bent on revenge — a revenge that turns indiscriminately murderous, leading his resourceful accomplice, Mrs. Lovett, to bake the victims into meat pies. The Barrow Street Theatre will be turned into a working pie shop for the production. Director: Bill Buckhurst Starring: Jeremy Seacomb, Siobhan McCarthy, Duncan Smith, Joseph Taylor (until April 9, 2017) Norm Lewis, Carolee Carmello, Jamie Jackson, John Michael Lyles (starting April 11, 2017) Matt Doyle, Alex Finke, Betsy Morgan, Brad Oscar, Colin Anderson, Liz Pearce, Monet Sabel Design by Simon Kenny Music Supervision & Arrangement by Benjamin Cox Music Direction by Matt Aument Movement Direction by Georgina Lamb Lighting Design by Amy Mae Sound Design by Matt Stine Prop Master: Ray Wetmore Chef & Pie Maker: Bill Yosses Assistant Pie Maker: Roberto Welch Food Consultation by Flavor Memory Show Times: Tuesday - Thursday @7:30pm, Friday @8pm, Saturday @2:30pm and @8pm, Sunday @2:30pm and @7:30pm MUSIC: STEPHEN SONDHEIM BOOK: HUGH WHEELER LYRICS: STEPHEN SONDHEIM

    Theater Review: ‘Sweeney Todd’

    NEW YORK—Ghosts from the past return demanding vengeance in the 1979 Tony-Award winning musical “Sweeney Todd: The Demon Barber of Fleet Street.” The current U.K. production,... Read more

  • A picture taken on November 28, 2016 at the Palace of Versailles shows a harpsichord and paintings displayed for the exhibition tilted "Festivities and entertainment at court" at the Palace of Versailles.
The exhibition runs from 29 November 2016 to 26 march 2017 and presents the variety and ingenuity of entertainment in the court of King Louis XIV. / AFP / PHILIPPE LOPEZ / RESTRICTED TO EDITORIAL USE - MANDATORY MENTION OF THE ARTIST UPON PUBLICATION - TO ILLUSTRATE THE EVENT AS SPECIFIED IN THE CAPTION        (Photo credit should read PHILIPPE LOPEZ/AFP/Getty Images)

    The Intimate and Individualistic Personality of the Harpsichord

    The practice of music therapy in the modern Western world may well have begun during the age of Enlightenment, when medical practitioners, philosophers, and artists... Read more

  • Cassia Harvey (Courtesy of Cassia Harvey)

    Pedagogist Cassia Harvey: The Classics Are Our Collective Memory, Our Cultural DNA

    Cassia Harvey has written more than 160 books for cello, viola, and violin. With a methodology that trains players’ hands from the beginning, step by... Read more

  • Matthew Polenzani in the title role and Nadine Sierra as Ilia in Mozart's Idomeneo. (Marty Sohl/Metropolitan Opera)

    Opera Review: ‘Idomeneo’

    The key event that drives the plot in “Idomeneo” is a ruler making a promise that he is reluctant to fulfill, which leads to disaster... Read more

  • Skylar Campbell, Heather Ogden, and Piotr Stanczyk in the National Ballet of Canada's production of "Pinocchio" (Karolina Kuras)

    Pinocchio Comes to Life Through Dance

    TORONTO—”Pinocchio” has inspired countless adaptations and recreations since Carlo Collodi first published the children’s story in late 19th century Italy.  The tale of a puppet... Read more

  • In an impromptu invitation to join the performance, Will and Peter Anderson invite great Lincoln Center jazz trombonist Vincent Gardner to perform with pianist John Chin, bassist Matthew Rybicki, and drummer Marion Felder, in the tribute to the late Joe Temperley. (Julie Jordan)

    Honor Thy Teacher: A Tribute to Joe Temperley

    NEW YORK—Magical moments are even more special when they take us by surprise.  In my 30 years teaching at Juilliard, I savored countless classical music... Read more

  • The Antrobus family: Maggie (Kecia Lewis), Henry (Reynaldo Piniella), Glady (Kimber Monroe), and George (David Rasche), in Thorton Wilder’s “The Skin of Our Teeth.” (Gerry Goodstein)

    Theater Review: ‘The Skin of Our Teeth’

    NEW YORK—Thornton Wilder explores the endurance of the human spirit in his Pulitzer Prize-winning and seldom-seen work, “The Skin of Our Teeth.” Presenting an allegorical... Read more

  • Stephane Wrembel (Photo credit: Irene Ypenburg)

    A Salute to Django Reinhardt at Carnegie Hall

    The Belgian gypsy guitarist Django Reinhardt (1910-1953) is considered the first great jazz artist to come out of Europe. His group, the Hot Club of... Read more

  • Soprano Nadine Sierra in the lobby of Lincoln Center's Metropolitan Opera House in New York on Feb. 28, 2017. (Benjamin Chasteen/Epoch Times)

    Soprano Nadine Sierra on Giving Opera a Fresh Face

    NEW YORK—”Opera singers over the years are becoming better actors, because we can no longer hide away from [being seen on] DVDs, having things on YouTube,... Read more

  • Tenor Vittorio Grigolo as Werther and mezzo-soprano Veronica Simeoni as Charlotte in Jules Massenet’s “Werther,” about a poet whom we would likely now call manic-depressive. (Marty Sohl/Metropolitan Opera)

    Opera Review: ‘Werther’

    NEW YORK—The success of any production of Jules Massenet’s “Werther,” the opera based on Goethe’s novel “The Sorrows of Young Werther” depends to a great... Read more

  • Geoff Sobelle and a guest from the audience in his one-man theater experience, “The Object Lesson.” (Joan Marcus)

    Theater Review: ‘The Object Lesson’

    NEW YORK—For many people, the opportunity to rummage through an unknown attic, basement, or collection of bric-a-brac is irresistible. Performance artist Geoff Sobelle uses that... Read more

  • (L–R) Chris Bauer and Rebecca Pidgeon in the world premiere of David Mamet’s The Penitent, directed by Neil Pepe (Doug Hamilton)

    Theater Review: ‘The Penitent’: Truth at Any Cost?

    David Mamet is, hands down, the most stymieing, infuriating, pull-your-hair-out playwright for actors to act. Acting Mamet is akin to acting Shakespeare; only the most... Read more

  • Mark Peskanov (L) performs a  Bargemusic concert. (Etienne Frossard)

    A Floating Concert Hall Seeks to Create Culture and Opportunity

    NEW YORK—There might now be more young classical musicians launching their careers than Mark Peskanov remembers ever seeing before. It might even be a record,... Read more

  • Alisa Weilerstein. (Paul Stuart)

    Alisa Weilerstein Takes on Bach’s Purity and Endless Invention

    Johann Sebastian Bach’s six cello suites are some of the most popular classical music pieces. The prelude of the first suite has long been among the... Read more

  • Manhattan Chamber Players rehearse in Manhattan. (Samira Bouaou/Epoch Times)

    A Collective of Chamber Musicians Formed by Friends

    NEW YORK—Over the years, from performing chamber and quartet music at festivals and on tour, violist Luke Fleming has come to feel that having respect for... Read more

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