NYC City Life

Handel and Haydn Society Returns to New York With Grandeur of Monteverdi

Handel and Haydn Society. (Chris Lee)
Handel and Haydn Society. (Chris Lee)

At the turn of the 17th century, the great composer Claudio Monteverdi was stuck in Mantua, Italy, writing for the court of the duke and...

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    NEW YORK—Steven Levenson’s new play, “If I Forget,” displays a passionate family life, with its varied tugs and pulls of affection, conflict, success, failure, and... Read more

  • Sweeney Todd OFF-BROADWAYDRAMA BARROW STREET THEATRE 27 BARROW STREET SYNOPSIS: A barber who was unjustly imprisoned for years by a corrupt judge returns to England bent on revenge — a revenge that turns indiscriminately murderous, leading his resourceful accomplice, Mrs. Lovett, to bake the victims into meat pies. The Barrow Street Theatre will be turned into a working pie shop for the production. Director: Bill Buckhurst Starring: Jeremy Seacomb, Siobhan McCarthy, Duncan Smith, Joseph Taylor (until April 9, 2017) Norm Lewis, Carolee Carmello, Jamie Jackson, John Michael Lyles (starting April 11, 2017) Matt Doyle, Alex Finke, Betsy Morgan, Brad Oscar, Colin Anderson, Liz Pearce, Monet Sabel Design by Simon Kenny Music Supervision & Arrangement by Benjamin Cox Music Direction by Matt Aument Movement Direction by Georgina Lamb Lighting Design by Amy Mae Sound Design by Matt Stine Prop Master: Ray Wetmore Chef & Pie Maker: Bill Yosses Assistant Pie Maker: Roberto Welch Food Consultation by Flavor Memory Show Times: Tuesday - Thursday @7:30pm, Friday @8pm, Saturday @2:30pm and @8pm, Sunday @2:30pm and @7:30pm MUSIC: STEPHEN SONDHEIM BOOK: HUGH WHEELER LYRICS: STEPHEN SONDHEIM

    Theater Review: ‘Sweeney Todd’

    NEW YORK—Ghosts from the past return demanding vengeance in the 1979 Tony-Award winning musical “Sweeney Todd: The Demon Barber of Fleet Street.” The current U.K. production,... Read more

  • Pierre Niney and Paula Beer in "Frantz."  (Mandarin Films)

    Film Review: ‘Frantz’

    Adrien Rivoire and Frantz Hoffmeister were practically like the Crittenden siblings in the American Civil War. The two friends were as close as brothers, yet... Read more

  • Hiroshi Abe and Yôko Maki in “After the Storm.” (Aoi Promotion)

    Film Review: ‘After the Storm’

    Given the more rigid social norms, it must be especially difficult coming to terms with personal and professional failure in conservative Japan, but at least... Read more

  • A picture taken on November 28, 2016 at the Palace of Versailles shows a harpsichord and paintings displayed for the exhibition tilted "Festivities and entertainment at court" at the Palace of Versailles.
The exhibition runs from 29 November 2016 to 26 march 2017 and presents the variety and ingenuity of entertainment in the court of King Louis XIV. / AFP / PHILIPPE LOPEZ / RESTRICTED TO EDITORIAL USE - MANDATORY MENTION OF THE ARTIST UPON PUBLICATION - TO ILLUSTRATE THE EVENT AS SPECIFIED IN THE CAPTION        (Photo credit should read PHILIPPE LOPEZ/AFP/Getty Images)

    The Intimate and Individualistic Personality of the Harpsichord

    The practice of music therapy in the modern Western world may well have begun during the age of Enlightenment, when medical practitioners, philosophers, and artists... Read more

  • In an impromptu invitation to join the performance, Will and Peter Anderson invite great Lincoln Center jazz trombonist Vincent Gardner to perform with pianist John Chin, bassist Matthew Rybicki, and drummer Marion Felder, in the tribute to the late Joe Temperley. (Julie Jordan)

    Honor Thy Teacher: A Tribute to Joe Temperley

    NEW YORK—Magical moments are even more special when they take us by surprise.  In my 30 years teaching at Juilliard, I savored countless classical music... Read more

  • The Antrobus family: Maggie (Kecia Lewis), Henry (Reynaldo Piniella), Glady (Kimber Monroe), and George (David Rasche), in Thorton Wilder’s “The Skin of Our Teeth.” (Gerry Goodstein)

    Theater Review: ‘The Skin of Our Teeth’

    NEW YORK—Thornton Wilder explores the endurance of the human spirit in his Pulitzer Prize-winning and seldom-seen work, “The Skin of Our Teeth.” Presenting an allegorical... Read more

  • 01_antonglikin_courtesyofpeterpennoyerarchitects_drumlinhall_36x20_inkandwatercolor-copy

    The Art of Architecture Celebrated at Eleventh Street Arts

    NEW YORK—Since the Renaissance, architecture has been called the mother of all the arts. Traditionally, architects had to master all of the other artistic skills of... Read more

  • Soprano Nadine Sierra in the lobby of Lincoln Center's Metropolitan Opera House in New York on Feb. 28, 2017. (Benjamin Chasteen/Epoch Times)

    Soprano Nadine Sierra on Giving Opera a Fresh Face

    NEW YORK—”Opera singers over the years are becoming better actors, because we can no longer hide away from [being seen on] DVDs, having things on YouTube,... Read more

  • (Courtesy of Jedediah Bila)

    Sibylle’s Style Diary: Jedediah Bila From the Popular TV Show ‘The View’

    This week’s style diary is about Jedediah Bila. The beautiful American television and radio host, columnist, and author is mostly known for her role on... Read more

  • Tenor Vittorio Grigolo as Werther and mezzo-soprano Veronica Simeoni as Charlotte in Jules Massenet’s “Werther,” about a poet whom we would likely now call manic-depressive. (Marty Sohl/Metropolitan Opera)

    Opera Review: ‘Werther’

    NEW YORK—The success of any production of Jules Massenet’s “Werther,” the opera based on Goethe’s novel “The Sorrows of Young Werther” depends to a great... Read more

  • Machiko Kyô and Masayuki Mori in “Ugetsu.” (Daiei Studios)

    Film Review: ‘Ugetsu’

    Most Japanese social critics agree Kenji Mizoguchi’s final film, “Street of Shame” played a crucial role bringing about the legal criminalization of prostitution. It was an issue... Read more

  • (pepper&bones)

    Film Review: ‘Karl Marx City’

    Michael Tucker often serves as the director of photography on the documentaries he co-directs with his wife and creative partner, Petra Epperlein, but he has... Read more

  • Geoff Sobelle and a guest from the audience in his one-man theater experience, “The Object Lesson.” (Joan Marcus)

    Theater Review: ‘The Object Lesson’

    NEW YORK—For many people, the opportunity to rummage through an unknown attic, basement, or collection of bric-a-brac is irresistible. Performance artist Geoff Sobelle uses that... Read more

  • (L–R) Chris Bauer and Rebecca Pidgeon in the world premiere of David Mamet’s The Penitent, directed by Neil Pepe (Doug Hamilton)

    Theater Review: ‘The Penitent’: Truth at Any Cost?

    David Mamet is, hands down, the most stymieing, infuriating, pull-your-hair-out playwright for actors to act. Acting Mamet is akin to acting Shakespeare; only the most... Read more

  • Mark Peskanov (L) performs a  Bargemusic concert. (Etienne Frossard)

    A Floating Concert Hall Seeks to Create Culture and Opportunity

    NEW YORK—There might now be more young classical musicians launching their careers than Mark Peskanov remembers ever seeing before. It might even be a record,... Read more

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