In Beyond Science, Epoch Times explores research and accounts related to phenomena and theories that challenge our current knowledge. We delve into ideas that stimulate the imagination and open up new possibilities. Share your thoughts with us on these sometimes controversial topics in the comments section below.
Famed painter Wu Youru of the Qing Dynasty (1644–1911) produced a curious work titled “Red Flames in the Sky,” also translated as “Red Hot Flame Hovers in the Air.”
Within the painting is a description of a UFO sighting witnessed by the painter himself as well as hundreds of passersby. Anticipating the skeptics of this fantastic phenomenon, Wu explained why each of the various explanations one might provide to bring this otherworldly experience down to Earth.
A translation of the 190-character description is provided by Paul Dong, a long-time UFO researcher and writer, in his book “China’s Major Mysteries”:
“It was about eight o’clock in the evening, September 28. In the southern sky of Nanking City appeared a fireball, egg-shaped, red without light. It floated in the air, slowly eastward. As the twilight sky was cloudy and dusky, its appearance was conspicuous. And on the Zhu-Que Bridge gathered a crowd of several hundreds, standing on tip-toe, craning their necks upward.
“It lingered for a period of a meal’s time, fading into the distance little by little. Some said it was a meteor passing by. But a meteor took but an instant to slip away, while this ball’s movement, from its first appearance in the near sky to the final disappearance in the distance, was quite stagnant. So it cannot be a meteor.
“Others said it was a lantern-kite that children flew. But the wind blew north that evening, while the ball turned eastward. So it cannot be a lantern-kite either. For a time everybody spoke, but none could solve the mystery.
“An old man said, ‘When it first arose, there was a slight noise which was hardly audible, like the buzzing approach of men darting across the South Gate.'”