SAN FRANCISCO—The San Francisco Opera's production of Gershwin’s “Porgy and Bess” departs from its traditional telling by transplanting it, under the direction of Francesca Zambello, from its original setting of the 1930s to the 1950s.
In this genuine American opera, composer George Gershwin portrays an African American community in Charleston, South Carolina, living in squalor and poverty but managing to remain hopeful.
Many of the composer’s most memorable tunes were written for this work, and many believe it represents a renaissance of American music.
Porgy is a disabled man with no hope of finding love because of his physical condition. Crown, a gambler, drinker and drug-user, is caught up in a reckless lifestyle with his girlfriend Bess. The local dope dealer, Sportin' Life, personifies the devil himself.
The story tells of the unlikely love that develops between Porgy and Bess. They inspire each other to transcend the confines of their limitations. Porgy must overcome his poor self-image as a cripple and prove himself a man, while Bess must abandon “happy dust” (cocaine), alcohol, and amorous adventures in favor of a modest life with Porgy.
For a while, Porgy and Bess are deeply in love and live in bliss. But a downward spiral begins: Bess falls back into cocaine use, leaves Porgy, and follows Sportin' Life to New York.
The opera ends on an optimistic note when Porgy grabs his crutch and says he will limp all the way to New York in order to save Bess once again, and we are left believing that love conquers all in the end.
Remarkably talented bass-baritone Eric Owens gave a solid performance as Porgy. The decibel level of the applause during curtain calls demonstrated that Owens was the uncontested star of the show. Of course, the endearing quality written into Porgy’s character helped.
Appearing for the very first time as Bess, Laquita Michell made us believe she has sung the part for years. Her soul-stirring voice and subtle acting skills captivated the audience.
The audience came for Porgy and Bess, but left absolutely enchanted by Serena whose part was brilliantly sung and acted by Karen Slack.
Chauncey Packer also deserves mention with his compelling portrayal of Sportin' Life.
Finally, conductor John DeMain brought much musical depth and expertise to Gershwin’s exciting rhythms.
Eman Isadiar teaches piano at the Peninsula Conservatory and writes about music in the San Francisco Bay Area.
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