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Phoenix Art Museum Exhibit Review: Shiprock and Mont St. Michel

By Evan Mantyk
Epoch Times Staff
Created: January 26, 2013 Last Updated: February 6, 2013
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A photograph of Shiprock in New Mexico by William Clift. (William Clift)

A photograph of Shiprock in New Mexico by William Clift. (William Clift)

PHOENIX—What does a rock formation in New Mexico have to do with an old abbey in France? It’s not the premise of a paperback novel, but a photography exhibit at Phoenix Art Museum.

The rock formation, known as Shiprock, sharply juts out of the flat desert sands high as if touching the sky. Mont St. Michel, which dates back to the 8th century, sharply juts out of the flat sands and tidal waters that periodically make it an island. It similarly reaches high as if touching the sky. That is only where the similarities begin. The similarities between the two locations are explored through 80 black and white photographs skillfully executed by William Clift and on exhibit now through April 7.

Imagery takes center stage in the exhibit. The photographs are unadorned by descriptions and are only accompanied by two explanatory panels.

Following along the wall of the exhibit, we see photographs of the sublime scene of Shiprock standing nobly after withstanding tens of millions of years of pressure and changes from nature’s forces. We see the rock close up, far away, and in between. Then, only a mere shadow of the monolith remains. Next, another shadow. Soon we find that between the monolithic shadows we have transitioned around the world to Mont St. Michel and we are greeted with the beauty of the abbey’s Romanesque architecture and soaring spires.

While not easily laid out for viewers with side-by-side comparisons, it becomes clear that the similarities run deep in these locations.

A photograph of Mont St. Michel in France by William Clift. (William Clift)

A photograph of Mont St. Michel in France by William Clift. (William Clift)

The grand vertical lines that form the inside architecture of a cathedral at Mont St. Michel resemble the intricate vertical lines that mark the surface of Shiprock. Carvings of saints in stone inside the cathedral seem to mirror natural formations in Shiprock that resemble a man and woman embracing, a face, and an animal. Passageways, repeating geometrical shapes, and even cattle grazing outside in the flat foreground are all similarities waiting for discovery.

What does it all mean? Even beyond the visual both of these locations are what Phoenix Art Museum refers to as “centers of spirituality.”

“[Shiprock] is a sacred place for many indigenous peoples, and plays a role in the mythology of the Navajo people, who call it Tsé bit’á’í, or ‘rock with wings,’” according to the museum. As its name suggests, Mont St. Michel is rooted in Christian spirituality. Before that, the Celts worshiped their sun god there.

In this light, the exhibit takes on heightened meaning. The flat, two-dimensional plane from which rise both Shiprock and Mont St. Michel is not only outwardly similar, it represents human beings’ common perceptions. The structures that rise above higher into a third dimension beyond their surroundings represent man’s perennial desire for greater meaning, or spiritual fulfillment.


“It’s just phenomenal,” said Denise Coggins, a Phoenix resident. “There is something to notice each time you go around.”

Phoenix Art Museum, 1625 N. Central Avenue, Phoenix, AZ 85004-1685. Closed Monday and Tuesday. Tickets: $15, Children (6-17): $6.

A book of the exhibit, “Mont St. Michel and Shiprock,” is also available on line: www.williamclift.com, $130.




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